Vendors enter their own costs
Send a link and your vendor fills in the cost and the receipt. You never type it.
A
Acme Corp
Catering · via link
$1.100.000
Pending
Budgeting is only half the job.
Get tracks what you actually spend and flags the gap the moment it opens.
| Description | Actual | Variance |
|---|---|---|
| Equipment wrap and return | $280.000 | $120.000 |
| Agency / client meetings | $600.000 | $0 |
| Location scouting | Benja$520.000 | $70.000 |
| Producer prep | $700.000 | $0 |
| Treatment / creative alignment | — | — |
| Director of photography | $2.500.000 | $0 |
| Camera assistant | $1.100.000 | $200.000 |
| Gaffer | $1.400.000 | $0 |
| Hair and makeup | $980.000 | $180.000 |
| Wardrobe | $620.000 | $80.000 |
| Production sound | $1.200.000 | $0 |
| Field production | $2.600.000 | $800.000 |
| Catering and craft service | $3.500.000 | $50.000 |
Costs come to you.
Expenses
Stay focused on the shoot.
Capture expenses from your phone while you shoot, approve them later from your desktop.
- 01Scan receipts on set
- 02Send links to vendors
- 03Approve from desktop
FAQ
Compare Get with other tools
Get vs Movie Magic
Movie Magic Budgeting is the desktop standard for budgeting film and TV. Get is web-based, collaborative, and goes beyond the budget: purchase orders, expense reports, and actuals in the same place, in Spanish and English, free to start.
Get vs Saturation
These are the two most similar tools in this series: web-based, collaborative, with budgets, phases, purchase orders, and actuals. The difference is language and region, how money moves, and price.
Get vs Unabase
Both are built to control the money of a production in Latin America: budget, purchase orders, expense reports, and actual spend. The difference is in price, AI, what you hand to the client, and how invoices and payments come in.
Movie Magic vs Saturation, and where Get fits
If you are comparing Movie Magic and Saturation, you already know you need a serious production budgeting tool. This page covers what each one is good at, where they differ, and when Get is the third option worth a look: if you work in Latin America, in Spanish, or on commercials and agency work.
